Painting with waterclour, Painting, Drawing, Printmaking, Art Courses,

Painting -Finding the right red for a camellia

What a fantastic Camellia tree in the studio garden, it is completely covered in big, decedant, waxy flowers in a riot of pint, yellow and glossy glossy dark blue green leaves. Understanding how those colours work together and how to create your own lucious, delicious pink/red to do justice to this flower was not as straight forward as it initially seemed.

I have a very natty little colour guide wheel (Pocket Colour Wheel 13cm. Compact Paint Mixing Learning Guide. Art Class Teaching Tool ) which I got from Amazon but I also have a colour pallette mixing book which covers watercolour, acrylic, gouache and oil paints.¬† It is throoughly useful indeed. I got it some years ago and cant actually find it on the internet but here is something similar on World of Books The Watercolour Painter’s Pocket Palette by Moira Clinch.

Using this as a starting place a suitable pinky red was selected, we didnt actually have the exact colour specififed so chose similar colours in terms of warm/cool spectrum adn started mixing. What becomes a little tricky is that there are so many vairiables…the amount of water mixed with teh water colour, applying wet on dry or wet on wet and then getting a consistent ratio of the two colours when creating the palette.

What did become apparent was that the initial choice of Cadmium red, violet pink, cadmium yellow, sap green adn ultramarine didnt quite give the mix needed when put up against the flower. What became apparent was the need for a more robust pink. We tried rose pink and alizarin into teh mix and then finally it dawned that the cadmium yellow would dull the pink down just enough and BINGO! we had it.

Creating our work strainght from life with observational drawing adn looking closely at the soft lost and hard found areas of shade and light helped bring beleivable form to teh paintings. A very satisfying demo and work from the the class was so productive. KA really was exceptionally brave with her brush strokes, painting from life bought rather than a copied image really bought her image to life. A very different approach from  her previous work: Well done you.